Developed and built the NASA Ames Auditory Display Processor, a four-channel binaural processor designed to improve communication intelligibility for NASA launch and mission control.
#Soundhack erbe verb software#
SoundHack is used extensively for the sound design for The Matrix, which wins the Academy Award in sound design. This software is still widely used today. Created SoundHack, a spectral sound processing application for the Macintosh, one of the first freeware computer music programs, and winner of first prize at the first Concours de Logiciels Musicaux at the IMEB Festival in Bourges.Performed electronics and “rhythm orchestra” on Robert Ashley’s ground-breaking opera Improvement. (1989).Developed the first CD quality (16-bit) audio interface for the Macintosh with Micro Technology Unlimited.Developed (with Andy Voelkel) a real-time pitch detector and performance system for Max Mathews’ electronic violin for János Négysey (1986).As a recording engineer, Tom Erbe has produced over 100 CDs of contemporary music, including the restoration of James Tenney’s early computer music, recording of Bridge Records’ Morton Feldman series, compilation of the Lyrachord series of contemporary Indonesian music, and production of over 20 years of the Leonardo Music Journal ‘s annual compilation of experimental music. Tom Erbe has performed, and collaborated on, electronic music pieces by Alvin Lucier, John Cage, James Tenney, Maryanne Amacher, Larry Polansky, Alvin Curran, Robert Ashley, Clipping, and others. He creates computer music software and hardware, most notably the sound processing application SoundHack, the many soundhack plugins, and several ground-breaking synthesis modules developed with Make Noise Music. Tom Erbe is deeply involved and dedicated to electronic and computer music research, and creation. Pairs well with EVERYTHING esp.Phone: 858 534-5277 Off: CPMC 254 | Discography
#Soundhack erbe verb 32 bit#
Utilizes High performance DSP hardware with 24bit, 48kHz codec, 32 bit floating point processing and reasonable power consumption Pre-Delay, Reverse and Internal Modulation all able to be synchronized to external clock via TEMPO inputĬV Out completes the conversation between Erbe-Verb and rest of system! TILT shapes the tone of the reverb, dramatically emphasizing low or high frequency content
#Soundhack erbe verb manual#
Manual or voltage controlled REVERSE reverbĬontrol over Absorbption, Internal Modulation Depth and Speed allows for programming smooth resonances, chorused doppler effects, shimmer, ghost choirs and more Wide ranging Pre-Delay settings from 7ms - 500ms Size ranges from "coffin" to "the heavens"Ĭontinuously variable Decay settings all the way to infinite feedback
Mono In, Stereo (or Mono) Out, all analog Dry signal path Like the Echophon, it's coded by Tom Erbe of soundhack. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. The continuously variable algorithm allows for hybrid and unreal spaces to be found. Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The Erbe-Verb music synthesizer module is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control.
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